Wager Big and Gain Little playing Craps


If you decide to use this scheme you need to have a sizable pocket book and superior discipline to walk away when you achieve a small win. For the benefit of this essay, a sample buy in of $2,000 is used.

The Horn Bet numbers are surely not considered the "winning way to wager" and the horn bet itself carries a house edge of over 12 %.

All you are betting is five dollars on the pass line and a single number from the horn. It doesn’t matter if it is a "craps" or "yo" as long as you wager it routinely. The Yo is more common with people using this scheme for clear reasons.

Buy in for two thousand dollars when you sit down at the table but put only five dollars on the passline and one dollar on one of the two, 3, eleven, or 12. If it wins, beautiful, if it loses press to two dollars. If it does not win again, press to $4 and then to eight dollars, then to sixteen dollars and after that add a $1.00 every time. Every instance you do not win, bet the last wager plus another dollar.

Employing this scheme, if for example after fifteen tosses, the number you selected (11) has not been thrown, you without doubt should march away. However, this is what possibly could happen.

On the tenth roll, you have a sum of $126 on the table and the YO at long last hits, you earn $315 with a gain of $189. Now is a great time to walk away as it is more than what you joined the table with.

If the YO does not hit until the 20th toss, you will have a total wager of $391 and seeing as current wager is at $31, you win $465 with your profit being $74.

As you can see, employing this system with only a $1.00 "press," your gain becomes smaller the longer you gamble on without attaining a win. This is why you have to march away once you have won or you must wager a "full press" once again and then advance on with the one dollar increase with each toss.

Crunch the data at home before you try this so you are very accomplished at when this system becomes a losing proposition rather than a profitable one.

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